Difference between revisions of "IEEE Internet Computing: VWRAP for Virtual Worlds interop"

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''' ''Tentative skeletal pre-draft of a possible article.'' ''' --- '''Remember the wiki motto, "Be Bold."''' :-)
= DO NOT EDIT --- Cooperative editting is now on Etherpad =
== Introduction ==
* <<<Set the scene with an epic literary start>>
Mankind is an imaginative, storytelling species.  From our first glimmers of intelligence in the wielding of a bone as a weapon, through to today's visions of our future among the stars, we have always imagined new worlds that are different to those of yesterday.  We continually redefine our physical world through progress, create innumerable fantasy worlds through sheer imagination, and tell stories about past and future worlds that keep our culture and visions alive.  We have even reached out physically from our small planet of origin into the darkness of space and touched other worlds.  We're really not happy with just a single world.
Computing is a microcosm of everything else that Mankind does, so it's no surprise that our worlds of the imagination have become part of this new space as well, indeed an essential part.  We call our computer-driven worlds ''virtual worlds'', although the adjective is oddly superfluous.  As has been the case with all our worlds throughout history, these CPU-assisted worlds gain their ''immersive'' reality as worlds entirely within our minds.
This article is about a small corner of the huge space of virtual worlds, a corner in which one large established virtual world and a constellation of small newer ones share sufficient commonality that a desire for interoperability between them has taken root, under the auspices of the IETF.
== A brief history of virtual worlds ==
* Here's my take - it probably needs to be edited down significantly. --[[User:Joshua Linden|Joshua Linden]] 21:29, 30 October 2009 (UTC)
Computer-based virtual worlds can be defined as having representations of multiple users, often called characters or avatars, and locations which those user-representations occupy. While virtual environments can be single user (with or without an explicit user representation), we restrict our focus to multi-user systems which generally implies a network, though not necessarily any particular topology or capability of the nodes.  Such a definition spans the gamut of visualization options for the world - from text through 2D to fully immersive 3D graphics. It also spans genres such as combat role playing to purely social.
Given that definition, there is a 40-year history to virtual worlds, although through many cycles of reinvention. In the 1970s, multi-player games on the PLATO system and Maze War used graphics to portray immersive worlds, while MUDs used rich textual descriptions to bring combat, social interaction and user creativity to the realm of formerly solitary text adventures - but only to those lucky enough to have access to such systems and dedicated networks. With the advent of microcomputers in the early 1980s, millions of users potentially had access to more powerful gateways into virtual worlds but few were had access to networks - and even then, only over dial-up connections, so evolution was slow. Initially, local bulletin boards offered text-based games like MUDs that could be experienced over slow dial-up connections, but eventually larger service providers offered graphical games such as Air Warrior (3D flight simulation combat) and Lucasfilm's Habitat (a 2D social world with persistent spaces).
Towards the end of the decade, what are now called Massively Multiplayer Online Roleplaying Games (MMORPGs or simply MMOs) emerged, with entrants such as Ultima Online supporting thousands of simultaneous users. Meanwhile, military simulations over private networks for training and planning purposes continued to advance. In the early 1990s, with the start of widespread adoption of the Internet, purely social worlds such as The Palace appeared allowing 2D user created content. Initiatives such as VRML hoped to achieve the same success for distributed creation and sharing of 3D content as HTML had done for text and 2D, but the technology pushed contemporary computers past their limits and without shared destinations (despite efforts by Blaxxun and others), 3D on the desktop was limited to immersive spaces with only canned content such Quake. However, the stage was set for the next generation of virtual worlds.
Around the turn of the millennium, home computers were powerful enough that MMOs like EverQuest and World of Warcraft arose alongside social worlds such as Active Worlds, There, and Second Life. The characteristics of this generation of services in many ways defines how virtual worlds are portrayed by the media and understood by popular culture today: a fully immersive 3D world rendered by a stand-alone client application, portraying realistic humanoid avatars moving and interacting in shared spaces with extensive customizations and user-generated content and locations, used for ad-hoc social interaction and organized events including games and music, and a micro-economy with user to user transactions.
However, virtual worlds are not limited to that model. Many virtual worlds aimed at children (such as Club Penguin or Webkinz) or casual game play (such as Metaplace)rely on cartoon-style 2D or isomorphic 3D visualization and take advantage of widely deployed technologies such as Flash in Web browsers to avoid an initial download and keep interaction simple. Services such as IMVU add a sense of location to instant messaging and allow purchase of content. The latest generation of network capable game consoles provide user avatars and shared social spaces such as PlayStation Home.
== The Second Life virtual world model ==
* <<<Intro to Linden Lab and the rise of SL --- I'm leaving the company bit to Josh. :P Morg.>>>
* <<<Description of the SL grid/simulator/client architecture and virtual space model>>>
At the outermost level, the Second Life architecture is comprised of a large number of region ''simulators'', each of which implements a 256m x 256m unit of virtual acreage.  These simulators and their separate regions are organized into a ''grid'', which defines a 2D-tiled flat virtual world.  A user's client application or ''viewer'' connects to this world, and the user is given an identity and a virtual presence at a single location in one specific region.  Viewer controls then allow free movement within the current region, transparent crossings into adjacent regions, and teleport to remote regions of this virtual world.
* <<<Description of the SL data model --- it's obvious to us, but not to everyone!>>>
Grids, simulators and clients are the macroscale entities of the Second Life platform, but this architectural view says little about virtual worlds as an immersive experience.  That experience is provided by the visible and audible components of the 3D world as displayed by the SL client application, which renders the 3D graphics objects as a 2D projection for the screen and delivers spatialized audio to the user's sound system.
In order for the client to do this, those world components are ''streamed'' from the simulators to each client whenever they are in visualization range, and cached by the client for future use.  This data model is a fixed point of the world architecture of Second Life.  The fact that user generated content is copied to clients ''by design'' has fundamental implications for non-technical issues such as object ownership and copyright which often arise.
The main components of the virtual world which together provide the immersive experience are ''avatars'' which are the visible instantiation of a logged-in user, ''assets'' such as textures, animations and sound files, and ''objects'' which are user-built assemblies constructed out of parametrized geometric primitives, as well as the data which defines land geometry and visuals.  The client-side rendering of these miscellaneous components creates a ''mashup'' of these visual elements on the screen, and if done well, the end result is a highly believable and hence ''immersive'' representation of the user's avatar within an imagined world.
It is worth noting that the concept of ''mashup'' provides a useful alternative way of thinking about interop.  Virtual worlds interoperate whenever the mashup displayed by a client contains components from more than one virtual world.  This is an effective definition which avoids the pitfalls of trying to define interop architecturally amid the many and varied VW architectures in use today.
== Opensim and open source virtual worlds  ==
* <<<libsecondlife and reverse engineering of SL protocols>>>
* <<<Founding of Opensim project and goals>>>
* <<<OSgrid and other Opensim-based grids>>>
* <<<Interop mechanisms available in Opensim>>>
* <<<User expectations for the SL/Opensym ecosystem>>>
== Defining the VW interop problem space ==
* <<<LL+IBM, founding of the AWG, and scary numbers>>>
* <<<The OGP agent domain + region domain model>>>
* <<<One-sentence description of capabilities>>>
* <<<The OGP interop trial of Summer 2008>>>
* <<<Taking OGP to the IETF --- MMOX and problem space overload>>>
* <<<Narrowing the VW interop problem space:  OGPX>>>
== VWRAP: a services model of VW interop ==
* <<<Extending OGP to multiple VWs through policy-defining RDs == OGPX>>> (acceptable simplification?)
* <<<A successful OGPX BoF, and the foundation of VWRAP workgroup>>>
* <<<Brief description of expected VWRAP services>>>
* <<<High level overview of protocol entities>>>
== VWRAP: the work ahead ==
* <<<Goals, rough timeline, and open invitation>>>

Latest revision as of 10:47, 5 November 2009